(Joan Sutherland in Lucia di Lammermoor at the Metropolitan Opera, 1961) Today’s we’re listening to “Regnava nel silenzio,” from Act I of the Italian opera Lucia di Lammermoor by Gaetano Donizetti. We are wrapping up our second week dedicated to the style of bel canto. We are ending with the queen and king of the bel canto repertoire—dramatic coloratura soprano Joan Sutherland and composer Gaetano Donizetti. Please look at the
NY City Opera performed an uncut LUCIA with Sills that included the Ravenswood last act. The recent Met production did not serve the Opera well (cute Photo-Flash) Wedding. Callas, Sutherland and Gruberova were all outstanding. Thanks for your efforts here, colleagues have also enjoyed your work too.
Dame Joan Sutherland's performance in the "Mad Scene" from Act III of Gaetano Donizetti's "Lucia di Lammermoor" (Royal Covent Garden, London) was a mind-boggling, 21-minute journey through the incredible colors and athleticism of her phenomenal gifts. I will listen to it again and again. This alone could have earned her the nickname "La Stupenda". I will check out the other renowned artists because you've recommended them, but I have a feeling that this is what they call in Spanish "el colmo". Thumbs up (and some throat lozenges) to those who have embraced bel canto style and technique.
I enjoyed all four renditions of Donizetti's “Regnava nel silenzio” and “Quando rapito in estasi,” from Act I of "Lucia di Lammermoor". I wandered over to Joyce DiDonato's master class after listening to Maria Callas. While trying to follow her instruction, I only succeeded in confirming that opera was definitely not my calling. At least DiDonato enabled me to listen to Anna Netrebko and Edita Gruberova in a more insightful way. I was also surprised that I was able to hum the melody of “Chi mi frena tal momento”, the sextet. As a confessed fan of gangster movies, I'm not sure if I heard it first in "Scarface" or at home. Great opera and the murderous activities of movie mafiosi have become something of a trope. Italy's rich heritage has given the world such treasures. Wikipedia gives me my quick takes on the biographies of the singers. Their stories are often dramatic in their own right. Well, I have lingered in bel canto longer than I expected. Ciao, Italia! Bonjour, France!
Opera Daily 🎶 — Lucia di Lammermoor
NY City Opera performed an uncut LUCIA with Sills that included the Ravenswood last act. The recent Met production did not serve the Opera well (cute Photo-Flash) Wedding. Callas, Sutherland and Gruberova were all outstanding. Thanks for your efforts here, colleagues have also enjoyed your work too.
A dramatic piece. Took my breath away
Dame Joan Sutherland's performance in the "Mad Scene" from Act III of Gaetano Donizetti's "Lucia di Lammermoor" (Royal Covent Garden, London) was a mind-boggling, 21-minute journey through the incredible colors and athleticism of her phenomenal gifts. I will listen to it again and again. This alone could have earned her the nickname "La Stupenda". I will check out the other renowned artists because you've recommended them, but I have a feeling that this is what they call in Spanish "el colmo". Thumbs up (and some throat lozenges) to those who have embraced bel canto style and technique.
I enjoyed all four renditions of Donizetti's “Regnava nel silenzio” and “Quando rapito in estasi,” from Act I of "Lucia di Lammermoor". I wandered over to Joyce DiDonato's master class after listening to Maria Callas. While trying to follow her instruction, I only succeeded in confirming that opera was definitely not my calling. At least DiDonato enabled me to listen to Anna Netrebko and Edita Gruberova in a more insightful way. I was also surprised that I was able to hum the melody of “Chi mi frena tal momento”, the sextet. As a confessed fan of gangster movies, I'm not sure if I heard it first in "Scarface" or at home. Great opera and the murderous activities of movie mafiosi have become something of a trope. Italy's rich heritage has given the world such treasures. Wikipedia gives me my quick takes on the biographies of the singers. Their stories are often dramatic in their own right. Well, I have lingered in bel canto longer than I expected. Ciao, Italia! Bonjour, France!